Inside the Ultimate Autumn Photography Kit: How Pro Shooter Kate Garibaldi Prepares for Fall

For landscape, wildlife, and macro photographers, autumn is both a season of immense creative opportunity and a logistical challenge. With peak foliage windows lasting only a few weeks and shifting weather patterns threatening outdoor shoots, preparation is everything.

What’s in My Camera Bag for Photographing Fall Color

Professional nature photographer and gear reviewer Kate Garibaldi recently offered a comprehensive breakdown of what she packs into her camera bag when heading out to capture the vibrant reds, oranges, and yellows of fall. Emphasizing adaptability, Garibaldi’s workflow relies on a modular system designed to handle everything from vast sweeping mountain vistas to delicate macro leaf arrangements.

What’s in My Camera Bag for Photographing Fall Color

Main Facts: The Modular Approach to Autumn Gear

Garibaldi’s approach rejects the concept of a single, rigid camera kit. Instead, she utilizes a modular system centered around two primary camera bags, a Sony mirrorless backbone, and specialized accessories tailored to the unpredictable conditions of autumn in the field.

What’s in My Camera Bag for Photographing Fall Color

Her core camera body of choice is the high-resolution Sony a7R IV, paired with an evolving lineup of lenses that frequently rotates due to editorial review assignments. Her standard field kit generally includes:

What’s in My Camera Bag for Photographing Fall Color
  • Tamron 90mm f/2.8 Di III Macro VXD (for close-up foliage and detail work)
  • Viltrox AF 56mm f/1.7 and Viltrox AF 20mm f/2.8 (prime lenses for lightweight walkaround shooting)
  • Sigma 50-500mm (a heavy-duty telephoto zoom reserved for wildlife and distant landscape compression)

Rather than forcing every piece of gear into a massive, heavy backpack for every outing, Garibaldi splits her kit into two distinct options depending on the mission profile: a compact sling bag for pure landscapes, and a heavy-duty adventure backpack when wildlife tracking is on the itinerary.

What’s in My Camera Bag for Photographing Fall Color

Chronology and Field Workflow: Adapting to the Changing Season

The methodology behind Garibaldi’s seasonal packing list has been refined through years of field testing across various environments, from misty waterfalls to high-altitude elk habitats.

What’s in My Camera Bag for Photographing Fall Color

Phase 1: The Tactical Decision — Choosing the Bag

Before stepping out the door, Garibaldi evaluates the primary objective of the day:

What’s in My Camera Bag for Photographing Fall Color
  1. Landscape-Focused Days: When the goal is exploring trails, chasing compositions, and moving quickly between viewpoints without excessive weight, she reaches for the WANDRD Rogue Sling 9L (in Sedona Orange or Yuma Tan). This compact bag features numerous internal pockets, keeping accessories organized without the fatigue of a full-size backpack.
  2. Wildlife and Extended Treks: When heading into regions known for fauna—such as elk country—she transitions to the PGYTECH OneMo 2. This larger backpack accommodates the added bulk and length of a heavy telephoto lens without sacrificing overall organization.

Phase 2: Securing the Shot with Stability and Filtration

Once on location, stability and light control take center stage. Garibaldi relies on carbon fiber tripods to strike a balance between structural rigidity and hiking weight. She swaps between the heavier-duty Ulanzi JJ06 for maximum stability and the lightweight Promaster Iota 422 when nimble mobility is paramount.

What’s in My Camera Bag for Photographing Fall Color

To combat harsh daylight reflections on wet rocks, streams, and foliage, she utilizes a magnetic filter system—specifically Kase KW Magnetic Filters paired with a classic B+W Circular Polarizing Filter (CPL). For waterfalls and rushing rivers, she adds Neutral Density (ND) filters, allowing her to drop her shutter speed and achieve the sought-after silky water effect without washing out shadow details.

What’s in My Camera Bag for Photographing Fall Color

Phase 3: Field Maintenance and Power Management

Autumn environments are notoriously wet and demanding. Waterfall spray, early morning dew, and dusty forest trails demand constant maintenance. Garibaldi keeps a dedicated cleaning kit in her pack featuring a manual duster, a spray bottle (which doubles for adding artistic water droplets to leaves), microfiber cloths, and lens wipes.

What’s in My Camera Bag for Photographing Fall Color

Furthermore, dropping autumn temperatures drastically impact battery performance. To combat power drain during long days of shooting stills and video, she relies on Llano battery charging systems for her Sony NP-FZ100 batteries. Using high-capacity aftermarket batteries and portable charging cases with built-in power banks, she can rotate and charge batteries on the go during multi-day backcountry camping trips.

What’s in My Camera Bag for Photographing Fall Color

Supporting Data and Technical Overview

To better understand the scale and specifications of Garibaldi’s seasonal setup, her equipment can be categorized by function:

What’s in My Camera Bag for Photographing Fall Color
Category Equipment Used Primary Purpose
Camera Bodies Sony a7R IV High-resolution still capture and cropping flexibility.
Optics Tamron 90mm Macro, Viltrox Primes, Sigma 50-500mm Macro details, lightweight walkaround, and wildlife compression.
Bags WANDRD Rogue Sling 9L / PGYTECH OneMo 2 Modular transport scaled to landscape vs. wildlife needs.
Support Ulanzi JJ06 / Promaster Iota 422 Tripods Eliminating camera shake for long exposures and precise framing.
Filtration Kase Magnetic NDs & B+W CPL Managing glare on wet foliage and slowing shutter speeds.
Power Solutions Llano NP-FZ100 Chargers & Power Banks On-the-go recharging in cold, remote backcountry environments.
Content Creation Neewer F700U OLED Monitor & Pocket Gimbal Critical focus checks for high-res stills and BTS video.

Official Insights and Field Philosophy

Garibaldi stresses that her gear choices are entirely independent and field-tested, rather than bound to a single brand sponsorship. Her integration of modern workflow tools—such as an external Neewer F700U OLED monitor for precise focus verification and a handheld pocket gimbal for behind-the-scenes content—reflects the changing demands placed on modern nature photographers.

What’s in My Camera Bag for Photographing Fall Color

"Fall color gives you a relatively short window to work with, and the conditions can change quickly," Garibaldi notes, highlighting the psychological and physical benefits of traveling light when possible.

What’s in My Camera Bag for Photographing Fall Color

Her inclusion of small pocket reflectors for macro photography scrims and portable rain protection illustrates a granular attention to detail. Even her occasional practice of constructing temporary, natural "flat lays" out of fallen leaves found along the trail demonstrates an intimate engagement with the micro-ecosystem of the forest floor—leaving the foliage exactly where she found it once the shutter clicks.

What’s in My Camera Bag for Photographing Fall Color

Implications for Aspiring Nature Photographers

Garibaldi’s gear breakdown provides a valuable blueprint for photographers looking to refine their autumn workflows. Key takeaways from her field-tested approach include:

What’s in My Camera Bag for Photographing Fall Color
  1. Avoid Over-Packing: Carrying heavy gear that isn’t required for a specific outing leads to physical fatigue and missed creative opportunities. Modular packing (switching between a sling and a backpack) preserves energy.
  2. Prioritize Weather Resistance and Maintenance: Fall weather is notoriously fickle. Having a rain cover, poncho, and dedicated lens-cleaning supplies on hand prevents environmental hurdles from cutting a shoot short.
  3. Embrace Multi-Disciplinary Tools: As content creation shifts toward a hybrid model of high-resolution stills and social media video, incorporating lightweight secondary tools—like external monitors or pocket gimbals—allows photographers to document not just the final image, but the entire immersive experience of the landscape.

By treating gear as a flexible toolkit rather than a fixed inventory, photographers can maximize their efficiency during the fleeting weeks of autumn color, ensuring they are ready for whatever nature reveals along the trail.

By Basiran

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